Cabaret @ HMT Aberdeen – reviewed by Duncan Harley
A central focus is the
doomed love affair between English cabaret performer Sally Bowles, played here by Kara
Lily Hayworth, and Cliff who has come to Berlin to complete a novel but soon becomes immersed in other distractions.
Alongside his pursuit of Sally, a serial manizer, Cliff soon
finds himself involved in money-laundering for the fascists and is witness to a
moral decay which will ultimately destroy the easy-going morality of a city
known by many at the time as the Babylon of Europe.
Much of the action takes place in the Kit Kat Club – a place
where ‘Here there are no troubles … Wilkommen, Leave your troubles outside … We
have no troubles here! Here, life is beautiful.’
John Partridge plays the magnificently camp Emcee at the Kit
Kat. And while budding storm-troopers prowl the streets, paying customers can
look forward to an evening of sleazily decadent bondage-inspired entertainment.
All of the dancers, both girls and boys, he says are virgins. ‘But you can try
them if you like!’
Replete with both a rich tapestry of flesh and a familiar
stable of songs: Wilkommen, Tomorrow Belongs To Me, The Money Song,
Perfectly Marvellous and many more; the plot moves awkwardly between club,
street and Fraulein Schneider’s apartment building. The club scenes are
deliciously believable. The rest, less so.
It’s not as if the shocking street violence or malevolent menace of fascism is out of place. It’s just that the dialogue in places is somehow dated. The marketing hype describes ‘Show-stopping choreography, dazzling costumes and iconic songs’ and while this is genuinely the case, the spoken lines often lack lustre and the underlying politics – the elephant in the room – are perhaps understated for an audience distanced from such events by a curtain of some 90 years.
It’s not as if the shocking street violence or malevolent menace of fascism is out of place. It’s just that the dialogue in places is somehow dated. The marketing hype describes ‘Show-stopping choreography, dazzling costumes and iconic songs’ and while this is genuinely the case, the spoken lines often lack lustre and the underlying politics – the elephant in the room – are perhaps understated for an audience distanced from such events by a curtain of some 90 years.
Technically splendid - the set, songs, choreography and
lederhosen are magnificent - this electrifyingly camp production sets a high bar
which it fails to quite reach.
Stars: 3/5
Directed by Rufus Norris, Cabaret plays at His Majesty’s Theatre Aberdeen until Saturday
16 November 2019
Tickets from Aberdeen
Performing Arts Tel: 01224- 641122
Words © Duncan
Harley, Images © HMT
Duncan Harley is author of two books about the North-east of Scotland. Both – The A-Z of Curious Aberdeenshire and The Little History of Aberdeenshire – are available from Amazon.
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