Duncan Harley

As jukebox musicals go Beautiful hits the sweet spot. Familiar songs, slick choreography and simple staging litter the production. Add Daisy Wood-Davis to the mix, sprinkle in a measure of 60’s pop culture fold-in some sugary bio and cook slowly. Result? Mouth-watering! Ok, perhaps the bio is a little bit hazy in places. The story dwells on Carol’s first marriage and kinda glosses out the other three. And maybe music insiders would express surprise at the portrayal of a sugar-sweet music industry bereft of draconian contracts and stingy executives. But this is entertainment at its best, and not by any means a social history class. So, if the audience comes out smiling, all is well in nostalgia-land. Alongside the familiar Carol King solos, and there are quite a few, the show makes great play of the fact that the early King was in essence a prolific maker of hits. But for other people. She later found her own voice. But her early career saw her sweating as a jobbing-songwrit